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19 Jan to 28 Feb:   Full 4 Days S$250

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Salsa @ Pulau Tioman September 06'

 

 

 

 

 

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Rueda

By Matthew Sng

When I first saw rueda at Xenbar, I was impressed by its seemingly complex moves and quick tempo. Rueda, to put it simply, is a form of salsa in which couples dance in a circle. A commander, who is himself one of the dancers, calls out or signals by way of hand signs the moves. Member couples then execute the commands, creating a co-ordinated visual display of spinning, twirling bodies.

You could think of it as a circle of men dancing with a circle of ladies. With the shout of a command, the circles rotate in opposite directions, instituting a change of partners. This is perhaps the biggest draw for dancers of rueda- the frequent change of partners. Every few moves, a command to change partners would usually be given. For those with a short attention span or for who get bored dancing with the same person for a whole song, this would be an ideal arrangement. One might even think of it as speed dating.

For a beginner, rueda provides many opportunities to learn and improve. The most significant difference between rueda and typical salsa, to the beginner, is that in rueda, there is less pressure to keep up a consistent performance. If you screw up, its just for a few moves before you move on to another partner. It’s a win-win situation for the advanced and not so advanced dancers. The latter gets to build up his or her confidence on the dance floor without having to go through the trauma of a very bad dance for a whole song (which is in fact a very very long time for a beginner). The former, well, just won’t run the risk of dancing with a total newbie.

Rueda also has the effect of increasing the dancers’ sphere of awareness. To dance rueda, one has to be very alert- to the commander who calls the shots as well as to the other couples in the circle. The enjoyment level definitely goes up when you feel yourself co-ordinated with your fellow dances and the wheel rolls on smoothly without a hitch.

Finally, rueda is a great way to pick up new moves, or to improve on already known ones. Because the moves are called out, it’s possible for the ladies to pull it off even without a lead. That means that a guy doesn’t have to be well-versed with a move before he can dance rueda. You could call it smoking, but it’s one way of practising moves before you take them one-on-one in normal salsa. Most guys wouldn’t have the flair to carry out a new move straight away on the dance floor, so rueda provides an avenue for practise. And, many, if not all, rueda moves can be adapted into normal salsa.

However, despite the fun and learning opportunities to be had in dancing rueda, it is definitely no replacement for normal couple-salsa. One can’t help but feel the lack of spontaneity in rueda. Dancing to fixed commands might be restrictive to some, especially to advanced dancers who want a dance which gives more space for flair, individual expression and experimentation. After all, the moves need to be understood and known by all the dancers for them to be used in rueda. That significantly reduces the common set which can be used in a social, unrehearsed rueda.

Anyone who’s serious about salsa should know rueda because it brings another dimension into dance. However, at the end of the day, nothing beats the excitement, flair and romance of salsa.

 

Salsa Academy was set up to meet the need for a central examination body for salsa. From the start, the aim of the Academy has been clear: to be the premier certification and regulating body for the fledging international salsa scene. Through our activities, certificates, examinations, seminars, quality modules and promotion of the art of dance, we hope to bring about a confluence of ideas in salsa and invibe a sense of coherence in what is essentially an evolving, free flowing street dance. 

Salsa Academy recognises that salsa’s appeal lies in the very fact that it is a “free” and constantly progressing dance. This is perhaps salsa’s greatest strength. Salseros are free to develop their own techniques, improvise new moves, and introduce their own styles into the dance. No one owns salsa. It belongs to everyone and yet no one. All around the globe, one cannot help but observe the diversity of the dance: LA, Columbian, New York and Cuban are but examples of the myriad of salsa styles. Salsa Academy embraces this and realises in the deepest sense what an asset this is to salsa.

Our vision, therefore, is not to bring in a strict set of rules to regulate the dance, but to bring a sense of order and organisation to it. Through that, we hope the picking up, excelling in, and performing the dance would become far more rewarding and enjoyable than it is right now. Specifically, the Academy has its sights grounded soundly in the professional salsa scene. We believe that by raising the professional understanding and execution of the dance, we would invariably raise its standards and appeal in social circles.

 


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